Bashy’s new album is a remarkable return to form. The music resonates with substance and creativity, blending retro vibes with contemporary energy.
If you want to grasp how Being Poor Is Expensive, listen to Bashy’s new album.
Bashy’s new album: A Masterpiece in 11 Tracks
This aptly named 11-track project deserves discussion. When I sit down with the north-west London artist, our conversation spans his musical hiatus and the heartfelt themes he explores. However, we never have enough time to delve into everything.
Bashy has received an outpouring of love since his return after a 15-year break. His music touches on a variety of subjects, and his work in film and television adds depth to his narrative.
Bashy’s new album: Genuine Honesty in Every Track
Anyone who listens to Bashy’s new album will notice the honesty in his lyrics. Whether you relate to the good or bad boy persona or the experiences of young and old women, his narrative structure is crafted with detail. I have yet to find a negative comment on social media.
He feels proud of the album’s reception. “It feels special,” he shares.
“I’m glad people are resonating with the project. They feel seen and heard. I told a lot of our story authentically. It reflects the lives of those who look like me or come from my working-class background in the UK.”
Bashy emphasizes that his music conveys the realities of life in a big city. “I’m just glad I could tell that story,” he continues.
Breaking Through the Noise
Bashy was initially hesitant about how his music would be received. In today’s crowded music landscape, it’s challenging for solid art to cut through. Yet Bashy’s new album does just that.
The first track, The London Borough of Brent, sets the tone with a tough beat and powerful bars. “It had a lot of elements like the choir,” Bashy explains. “I knew that’s what I wanted to say.”
He shares his reflections on survival: “When you’re broke, you do mad, bad, and sad things.”
Influences and Authenticity
In Sweet Boys Turn Sour, Bashy reveals that his childhood was shaped by Lovers Rock, Rhythm and Blues, and dancehall. His album is rich with classic samples that flow seamlessly throughout.
“I feel like the older I get, the more I connect with my culture,” Bashy says. “I had a solid foundation. My mum and dad were around. My roots come from both Jamaican and Dominican communities.”
He reflects on how he used to look outward in his twenties, exploring the world. Now, he focuses on his surroundings and musical influences, such as garage and jungle music.
“My lyrics tell my life story, and the soundscape reflects that as well,” he explains. “They paint a vivid picture of my life and others like me.”
Concert Success
Bashy’s desire for more exposure is evident in the swift ticket sales for his upcoming concert. At the time of our interview, he announced a second date, which also sold out.
Performing at Bush Hall in Shepherd’s Bush is special for him. “I was born and raised in west London,” he notes. “I wanted to keep it in the community because it’s important.”
He acknowledges the venue’s significance, stating, “It’s iconic. They’ve faced challenges staying open, so it’s vital to give back to the community.”
Bashy on Sunshine tour
Recognition Beyond Awards
Although it’s early for Bashy’s new album, the buzz suggests awards might be in his future. When asked about the importance of awards, Bashy shares his thoughts.
“It’s nice to be acknowledged for your work, but it doesn’t define your art’s quality,” he states. “The true reward is seeing people come out to your shows and engage with your music.”
He emphasizes, “Community and culture matter more than any award. I don’t remember who won awards in 2000. I remember the artists and albums that resonated with me.”
In Bashy’s view, recognition is great, but it’s not the end-all. “My value and belief in myself don’t come from that system,” he concludes.
